The King's English
I just can't pass this up! Fred Reed, that irascible curmudgeon, recently posted a thrashing of our loss of style in writing and speaking. He cites Strunk and White's Elements of Style but offers up and earlier style manual:
H.W. Fowler (1858�1933). The King�s English, 2nd ed. 1908.
ANY one who wishes to become a good writer should endeavour, before he allows himself to be tempted by the more showy qualities, to be direct, simple, brief, vigorous, and lucid.
This general principle may be translated into practical rules in the domain of vocabulary as follows:�
Prefer the familiar word to the far-fetched.
Prefer the concrete word to the abstract.
Prefer the single word to the circumlocution.
Prefer the short word to the long.
Prefer the Saxon word to the Romance. 1
These rules are given roughly in order of merit; the last is also the least. It is true that it is often given alone, as a sort of compendium of all the others. In some sense it is that: the writer whose percentage of Saxon words is high will generally be found to have fewer words that are out of the way, long, or abstract, and fewer periphrases, than another; and conversely. But if, instead of his Saxon percentage's being the natural and undesigned consequence of his brevity (and the rest), those other qualities have been attained by his consciously restricting himself to Saxon, his pains will have been worse than wasted; the taint of preciosity will be over all he has written. Observing that translate is derived from Latin, and learning that the Elizabethans had another word for it, he will pull us up by englishing his quotations; he will puzzle the general reader by introducing his book with a foreword. Such freaks should be left to the Germans, who have by this time succeeded in expelling as aliens a great many words that were good enough for Goethe. And they, indeed, are very likely right, because their language is a thoroughbred one; ours is not, and can now never be, anything but a hybrid; foreword is (or may be) Saxon; we can find out in the dictionary whether it is or not; but preface is English, dictionary or no dictionary; and we want to write English, not Saxon. Add to this that, even if the Saxon criterion were a safe one, more knowledge than most of us have is needed to apply it. Few who were not deep in philology would be prepared to state that no word in the following list (extracted from the preface to the Oxford Dictionary) is English:�battle, beast, beauty, beef, bill, blue, bonnet, border, boss, bound, bowl, brace, brave, bribe, bruise, brush, butt, button. Dr. Murray observes that these 'are now no less "native", and no less important constituents of our vocabulary, than the Teutonic words'.
Here is a link that might be useful: To Fume, Perchance to Growl, Random Vaporings on Language